Anatomy of The Short
The majority of short films I’ve seen I’ve found to be quite distant; they can...
Film Production
Corridors of (In)sanity. The foundational importance of corridors within larger fictional locations.
“Corridors make science fiction believable, because they’re so utilitarian by nature – really they’re just...
Direct Action: Christmas Content for an Isolated Audience
I lie there, in my 3 day old pyjamas and cup of long forgotten cold...
Fellini’s 8 ½: the dream of Film looking in the mirror
Guido Anselmi, the main character in 8½, has often been described as Fellini’s alter-ego. The...
Film Review: The Lighthouse
Every aspect of Robert Eggers and Jarin Blaschke’s surrealist work ‘The Lighthouse’ pushes limits. From...
Good Grief: the beguiling beauty of Petite Maman
Ah, grief. A thing that plagues us all in one way or another, and incidentally,...
Leading Lady Parts: Stop giving all the roles to White men
If you have 10 minutes and want to be quietly infuriated by the extreme lack...
Marriage Story
Marriage Story, Baumbach’s second treatise on divorce, demonstrates, Baumbach asserted in a recent Guardian interview,...
Movie Trailers or: How I Learned to Stop Worrying and Love the Previews
In a world where Netflix-binges reign supreme, delayed gratification has been superseded by obviousness, and...
Premieres in the Pandemic: Is Virtual the New Normal?
Disney’s decision to release Mulan on their digital platform, Disney+, was unexpected to some and...
